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about

SIX ARTIFACTS

Lisa Cay Miller: piano (prepared and unprepared)
Bonnie Whiting: percussion
James Falzone: clarinet, penny whistles, shruti box

ABOUT THE MUSIC
Six Artifacts documents a meeting of pianist Lisa Cay Miller (Vancouver, B.C.) percussionist Bonnie Whiting (Seattle, WA) and clarinetist James Falzone (Seattle, WA) through improvisation. All tracks were recorded live by Steve Peters at the beautiful Chapel space in Seattle, with no edits and minimal mixing.

ABOUT THE ARTISTS

Lisa Cay Miller (she/her) lives and makes music on the unceded traditional territories of the Musqueam, Squamish and Tsleil-Waututh nations. She has performed with many great musicians all over the world, including Ken Vandermark, Nicole Mitchell, Butch Morris, Ingrid Laubrock, John Dikeman, Ig Henneman, Michael Moore, Wilbert de Joode, Jasper Stadhouders, Vicky Mettler, Kenton Loewen, Dylan van der Schyff, Peggy Lee, Joshua Zubot, NOW Orchestra, NOW Ensemble and many more (Vancouver). Miller is the Artistic Director of the New Orchestra Workshop Society (NOW), proudly presenting Vancouver improvisers in regular concerts and workshops. She has released recordings on the greenideas (Sleep Furiously, Q, waterwall) and Trytone (682/281) record labels. Miller’s compositions have been premiered internationally by mmm…(Tokyo), L’Ensemble SuperMusique, le GGRIL, Quatuor Bozzini (Montreal), Vancouver New Music, Standing Wave, Turning Point Ensemble, Rachel Iwaasa, and Hard Rubber Orchestra, among others.

Bonnie Whiting (she/her) performs, improvises, and composes new music for percussion. Exploring intersections of storytelling and experimental music, her work is often cross-disciplinary, integrating text, music, movement, and technology. Her debut album, featuring a solo-simultaneous realization of John Cage's "45' for a speaker" and "27'10.554" for a percussionist" was released by Mode Records in 2017, and her second album, Perishable Structures, launched on the New Focus Recordings label in 2020. Whiting is a core member of the Seattle Modern Orchestra and she has performed with the country's leading new music groups: Ensemble Dal Niente, International Contemporary Ensemble, Talea Ensemble, and red fish blue fish percussion group. Bonnie uses Innovative Percussion sticks and mallets, and she is Chair of Percussion Studies and the Ruth Sutton Waters Associate Professor of Music at the University of Washington. Learn more at www.bonniewhitingpercussion.com

Clarinetist, penny whistle player, composer, and improviser James Falzone is an acclaimed member of the international jazz and creative music scenes, a veteran contemporary music lecturer and clinician, and an award-winning composer who has been commissioned by chamber ensembles, dance companies, choirs, and symphony orchestras around the globe. James is also a respected educator and scholar and is presently the Dean of Cornish College of the Arts in Seattle, WA. James is a Backun clarinet artist and plays penny whistles made by Chris Abell. Learn more at allosmusica.org

credits

released April 9, 2024

Recorded on September 24, 2024 by Steve Peters www.spsoundart.com at The Chapel in Seattle, WA

Mastered by Scott Anthony at Storybook Sound storybooksound.com

Cover design by Joshua Young

Allos Documents 017

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Allos Documents Seattle, Washington

Allos Documents is an independent label founded by clarinetist and composer James Falzone in 2000. Allos Documents releases projects led by James or close comrades such as Tim Diasy's Vox Arcana. Releases on the label have received reviews in the New York Times, DownBeat, ALARM Press and many other publications and have appeared on radio stations around the globe. ... more

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